Working in the garden the other day offered me an opportunity to reflect on the usefulness of practice in developing a skill.Next door, two of the neighbour children were practising their musical instruments. One was playing a guitar, the other a clarinet. I often hear them practice; in fact, I hear what seem to be spontaneous bursts of music and song. Both the instruments and the song are quite delightful to hear.
Hearing these children (none of them yet teenagers), you might call them talented. Perhaps they are, yet what I notice is the hours of practice they put in.
We often think of people as 'talented'. No doubt talent exists, but practice makes for real excellence. Jimi Hendrix is universally acknowledged as one of the greatest guitarists of all time - number one on the Rolling Stone list. He may well have been talented, but as Eric Clapton (number 4 on the list), observed in an interview, he practised many for hours a day to get as good as he got.
It's an old idea - that genius is 10% inspiration and 90% perspiration - but we often overlook this simple truth.
In order to become proficient and eventually master a skill, we need to make use of the brain's long-term memory system. Initially the working memory is used as we first pick out the notes on an instrument. This only holds a memory for 30 to 60 seconds. It takes many hours of practice to move what is now becoming a skill into the long-term memory.
The long-term memory is vital to skill acquisition. Also involved is the implicit memory system, where we don't have to consciously think about the skill to use it. If you're consciously (using the explicit memory system), trying to remember how to play a complex piece of music, it will probably sound terrible.
Coaching, whether in business, sport, or other performance areas often gets it wrong when it relies on telling someone what to do. The problem here is that what is told to the person is not processed in a way that puts it into the long-term memory. It also makes it difficult for it to be part of the implicit memory system, since this requires an emotional involvement with the skill or topic, rather than an intellectual one.
Coaching works best when it challenges the person to grapple with an issue. By the skillful use of questions, rather than providing answers or instruction, it allows the person to engage emotionally. This drives the new skill into the implicit memory system, by combining the emotional input from wrestling with an issue and time spent on practice.
So as I come in from the garden and prepare to practise my guitar, I am encouraged by the children next door. While my brain is harder to train than their young ones, they remind me that frequent practice will help me develop my guitar playing. Given a few months, I may even be able to make my way reasonably proficiently through the 6 or so minutes of Hendrix's Little Wing.
And that, dear reader, will be satisfaction indeed!

